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Lesson 9: Kaherva Tala

 

As we enter our world of rhythms, we will encompass one of the most popular, versatile, and admired talas of various genres of music. This is the tala bearing of eight matras. The reason why eight matras is considered to be one of the preferred rhythms is because counting in “fours” or “eights” are easy to clap and follow. The sixteen matra tintal might not go to well with the mass public, as tintal is primarily used in classical music. However, eight matra talas will continue to be popular as long as there is some iota of interest in music, whether one composes music or one listens to it.

 

Since eight matras talas are quite popular, we will spend many weeks of lessons in examining these cycles. There are many eight matra talas that exist, but the two key eight matra talas that will be studied here are kaherva tala (Lesson 9) and bhajani tala (Lesson 11).

 

THEKA:

 

Kaherva Tala is a tala of eight matras divided 4+4. For this rhythmic cycle, based on musical tradition, the thekas definition will vary. For the nature of the music (kirtan) presented in this course, the theka for kaherva tala is as follows.

 

X

 

 

 

0

 

 

 

1

2

3

4

5

6

7

8

dhā

ghe

ti

ka

dhin

 

Practice the theka of kaherva using the bol or vibhag method. Your theka should sound like the following like sound clip 9 – 1.

 

AUDIO CLIP 9 – 1: Kaherva Tala Theka Practice

 

 

KARTAL USE:

 

As mentioned in Lesson 6 with the elementary kirtan rhythm, this also uses the common “three-strike” kartal rhythm. See the cycle below and the strokes the kartal below that

 

X

 

 

 

0

 

 

 

1

2

3

4

5

6

7

8

dhā

ghe

ti

ka

dhin

OPEN

 

CLOSED

CLOSED

OPEN

 

CLOSED

CLOSED

 

Here is an audio file of how kartals fit here. Practice playing kaherva tala.

 

AUDIO CLIP 9 – 2: Kaherva Tala with Kartals

 

Let’s sing Hare Krishna with Kaherva Tala. Again, this is very simple. Please try to sing along while playing the mridanga. Ultimately, when you play mridanga, you’ll end up singing whether you chose to lead the kirtan or sing in response. While accompaniment has not been formally studied, know that the sam (matra 1) falls on the word “krsna” (the first Krsna in the mahamantra).

 

AUDIO CLIP 9 – 3: Kaherva Tala Practice with Mahamantra

 

PRAKARS

 

Kaherva tala has so many prakars, that it is impractical to list them all. We will cover five new prakars of kaherva tala. Remember, prakars are variations of the theka. To study the prakars, please click on one of the tabs below.

 

 

VIDEOS:

 

 VIDEO CLIP 9 – 1: DIDACTIC

 VIDEO CLIP 9 – 2: PRACTICE

 

 

9 A:

Prakars 1 and 2

9 B:

Prakars 3 and 4

9 C:

Prakar 5

 

 

UPDATED: July 10, 2011