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Understanding
Talamala
The
tala is one of the three components of musical trinity; namely the melody
(raga), drone (sur), and rhythm (tala). It is so important that one cannot sing
without obeying rhythm. This page will acquaint one to the concepts of rhythm.
Tala rhythmic form
Tala literally means clap. In music, tala is a rhythmic cycle.
Tala
can be examined with a tala diagram

Matra = fundamental unit of time (measuring time).
The
number of matras helps identify the tala.
16
matras = 1 cycle.
The
first matra in any cycle is known as the sam.
Vibhag divides the tala into sections based on the flow
of the tala. The number of matras per vibhag does NOT have to be equal.
tali points of emphasis; usually have open baya; CLAP
khali points of de-emphasis; usually ends open baya,
closed baya, or no baya; WAVE
TALA NUMBERS
X = sam
2, 3, 4
= tali (after sam)
0 = khali.
One
complete cycle is known as an avartan.
There are sixteen matras per avartan.
To
describe tala structure, the
following can be said. There are four vibhags divided 4+4+4+4. (4+4+4+4=16).
This tala has talis on sam, matra 5, and matra 13 with a khali on matra 9.
TALA IDENTIFICATION
Ultimately,
in conjunction with the tala structure, talas in North Indian music are defined
by the theka. The theka is the bol
formation of how the tala is played on the rhythmic instrument. The theka is
the most simplest and standard way of playing the tala.
UNDERSTANDING TALA NOTATIONS
|
X |
|
|
|
0 |
|
|
|
||||||
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
||||||
|
dha |
ti |
ṭe |
ti |
ṭe |
tā |
ti |
ṭe |
ka |
ṭa |
ga |
di |
ga |
na |
The
top red numbers are the tala signs. The X indicates sam, the subsequent 2, 3,
4, etc. indicates talis following the sam. The 0 indicates khali. The above
tala has sam on matra 1, khali (0) on matra 5, and another
tali (after sam) on matra 7, shown by a number 2 (meaning second tali.)
The
middle black numbers are the matra numbers. This indicates position of the tala
based on the number of matras the tala has. The above tala has eight matras.
The
last row has the bols that are to be played. The appropriate bols are given at
their respective matras in the tala.
To
understand tabla bols, (which is the convention of KKSongs Talamala), please click
here for the tabla bols and their sound files.
To
understand khol bols, please click here for the khol
bols and their sound files.
UPDATED: November 20, 2010